AP photographer killed, reporter wounded in Afghanistan
AP: Veteran Associated Press photographer Anja Niedringhaus was killed and AP reporter Kathy Gannon was wounded on Friday when an Afghan policeman opened fire while they were sitting in their car in eastern Afghanistan.
Follow more on this story at Breaking News
Photo: Associated Press photographer Anja Niedringhaus poses for a photograph in Rome. (AP File Photo)
FJP — Via the BBC:
The attack took place in the town of Khost near the border with Pakistan…
…[The two journalists] had been travelling with election workers delivering ballots in the Tanay district of Khost province.
An eyewitness said a police unit commander had opened fire on the journalists as they were waiting for their convoy to move inside a security compound.
The police officer behind the attack was taken into custody after surrendering to other police…
…The BBC’s Afghanistan correspondent, David Loyn, says the election is being protected by the biggest military operation since the fall of the Taliban.
Nearly 200,000 troops have been deployed across the country to prevent attacks.
Rings of security have been set up around each polling centre, with the police at the centre and hundreds of troops on the outside.
Reporting restrictions are in place, limiting what can be broadcast about the candidates.
For what it’s worth, Niedringhaus was a former Nieman Fellow. Some of her work can be seen on her Tumblr. See also her 2007 essay in Nieman Reports on the emotions of photography, and this 2013 photo essay of her work in Afghanistan from the Atlantic.
"The Obama administration has a way to go to fulfill its promises from Day 1 to become the most transparent administration in history. More often than ever, the administration censored government files or outright denied access to them last year under the U.S. Freedom of Information Act, cited more legal exceptions it said justified withholding materials and refused a record number of times to turn over files quickly that might be especially newsworthy, according to a new analysis of federal data by The Associated Press."
"This fire leapt clear across two bays, hurdling at one point more than 3km of open water as if it was not even there. No one had ever seen that before."
Snow Fall, Meet Firestorm
If you haven’t checked it out yet—and I hope you have—The Guardian’s Firestorm, a Snow Fall-esque interactive long-form multimedia piece came out last month and it’s completely stunning.
From Poynter’s story on the teamwork required to put it together:
“I think you have to capture people’s hearts,” Francesca Panetta, special projects editor of interactive storytelling projects, said in a phone interview. “As with all kinds of storytelling, you can’t lose sight of that need to connect and touch people, whether it’s writing or radio or a complicated interactive.”
Firestorm is remarkable for a number of reasons, including the stellar video images and the subtle way that looping video is used behind the written story. The integration between words and video is handled with such finesse that the one doesn’t distract from the other.
“We’re very happy with the subtlety,” Panetta said.
The chapter navigation uses clear images and concise icons and labels, ensuring it’s always clear where you are in the story.
A project like Firestorm or The New York Times’ Pulitzer-winning interactive,Snow Fall, demands considerable resources. Twenty-three people are credited for Firestorm, which was three months in the making — actually a speedy turnaround for a project of this scale.
Many newsrooms don’t have that level of resources, of course. But they can still learn from The Guardian’s process and the project’s experiments with layered storytelling — and figure out ways to do something similar on a smaller scale.
Keep reading for key takeaways from the project.
FJP: I’ve been hearing people favor this one to Snow Fall but perhaps that’s because the story itself (which is incredibly moving) lends itself to a slightly more poignant interactive than Snow Fall…but both are fantastic. —Jihii
Bonus: E-book version of the story, which you can buy here, along with other Guardian shorts.
Photograph by Steve Ruark—AP
“If something’s not photographed, it’s easy to deny,” photographer Steve Ruark says. “It’s a fact that Americans are getting killed overseas. Making people look at it makes them weigh the costs.”
Since April 2009, the Associated Press has sent a still photographer to every dignified transfer of servicemen and women killed in Iraq or Afghanistan open to the media. Most often it is freelancer Steve Ruark, who has now attended almost 500 transfers since 2009.
See the photos on LightBox here.